Six year old me picking calamansi
Jess Nyanda Moyle
In the late nineties in Northern Perth suburbs
Specifically, 12B Perilya Road Craigie
At the very top of a maroon cement sloped driveway
outside a garage with a beige roller door
that closed off a huge backyard to a tiny duplex that overlooked the plaza
you’d probably see a six-year-old me
picking calamansi
One of my favourite after school games was to find the perfect fruit
I’d hold it for a moment, examining clinically
the smooth, slightly gnarly, porous skin
how much of its scalp was lost from the pluck
giving it a sharp squeeze to see the amount of citrus mist that escaped
Then after much deliberation I’d place the small fruit to the ground,
and let it roll down
Down the drive away
along the bitumen
usually making it past the white lines of Perilya Road
sometimes run over by a passing car
but if the fruit was lucky enough
it would make it over the curb
get to the other side
and nestle itself in a length of grass shadowed by the Craigie Dewsons
If the calamansi was squished by a car that was a tragedy
If the calamansi survived the roll down but did not reach the curb that was a failure
If the calamansi managed to jump the curb and land safely in the grass that was a success
If the calamansi managed to jump the curb without being squashed by a passing car
the game would end and I would stop playing entirely because I mean,
how could you top that?
When you’re little there’s never external details.
Only ever “I wonder how fast you can roll... I wonder how far you can go... I wonder if a car will come...
I wonder if you will get squished... I wonder if you will reach the other side”
There’s no thinking that this calamansi could be cut and squeezed and mixed into patis
or be the perfect seasoning for a lugaw alleviating any flu
No thought to the fact that this tree was possibly one of the only things
tying my mum to her roots and that every time she plucked the fruit
she might possibly have a small escape
from White Australian life
Maybe scent would have an opposite effect
Instead of remembering the citrus mist would allow her to momentarily forget
Forget that she arrived in Northern Perth suburbs as a twenty-four-year-old
with no friends or family
except the FIFO (Fly-in-Fly-out) husband
and her weird over-sensitive child
Momentarily forget she was in a place
where everything looks the same
away from everyone who knew and loved her
who would have helped cook the sitaw and ampalaya growing in her huge backyard
who thought owning a calamansi tree outside the front door was a very normal thing
maybe she would look at her hands as they reached for the perfect fruit and think
“They look like my Lola’s hands when she was young”
But me being silly and little and adorable and thoughtless
I’d continue to pluck ‘em and roll ‘em down the driveway
without keeping a body count of the calamansi I had wasted
Just a child leaving flattened, dehydrated citrus corpses on the bitumen
or in the grass, bloated and rotting in the shadows of the Craigie Dewsons
Because that’s what kids do I guess; stay present, play games
It’s the early 2020s I’m now in my late twenties
I drive along Perilya Road
and pass the 12B Duplex
The Dewsons is now an IGA
The sloped driveway isn’t as steep as I remembered
The image of my mum’s hands plucking calamansi enters my mind
They shake uncontrollably now
My Tita worries its early Parkinson’s
Mum and I laughed it off
but we try not to think too much on it
about how her hands never used to shake, how her sense of taste is all over the place and everything is too salty now because that’s what I’m trying to do these days; make jokes, stay light-hearted, avoid anxious spirals “I wonder how long she will live for... I wonder if I can live without her... I wonder if she’ll ever understand how grateful I am for what she has given and given up... I wonder if she’ll ever understand how lonely I feel all the time”
I drive slow enough to see
At the top of a maroon cement sloped driveway
outside a garage now with a clinically white roller door
the duplex I grew up in that overlooked the plaza
someone had pulled out the calamansi tree
and replaced it with beige limestone brick
her tree was gone.
Jess Nyanda Moyle is a musician, theatre maker and emerging writer based in Perth/Boorloo. A Theatre Arts graduate from Curtin University who spends most of their time performing and recording under their solo project Jocelyn’s Baby. A queer, 2nd-gen Filipino immigrant who adores writing about home, identity, and healing.